scott weiland happy in galoshes mediafire

But his clear/undistorted vocals, particularly in the high register, are nowhere better developed than on this album. I suppose that if you only appreciate the louder, throatier side of Weiland's vocals, or his more angst-riddent fair, this album will be a dissapointment. In 'Killing Me Sweetly,' Weiland gives one of his most beautiful vocal performances to date. A few lacklustre moments, but overall, Weiland's vocals hit the spot. 'Killing Me Sweetly,' 'Crash,' 'Hyper-Fuzz-Funny-Car,' and 'Beautiful Day.' There are a few standout tracks which really should be mentioned here. Minus the poorer tracks on the album (Fame most notable among them) it is a reasonably enjoyable listen. That having been said, Golashes is not a throw-away album deserving of an F.

The production on 12 bar is also superior, with the vocals more up front than in Golashes. 12 bar blues has an adventurous sense of urgency that gives a cohesiveness to the album that is missing from this album. Granted, Golashes is not as good as 12 bar blues.

Scott weiland happy in galoshes mediafire